I have been a photographer since I was eight (seven and a half, to be precise but I would not want you to think of me as being pedantic – or two and a half if you believe the family photographs), when I won a good, all manual camera in a raffle at a local festival. I still remember picking up the box, realising what was inside and kissing it. I also remember that my Mum’s first reaction was to suggest putting away the camera until I was older but luckily my Dad had more faith in my careful nature.
My first photographs were exposed only days later on our annual summer holiday to the Italian Adriatic coast. I got one – probably 20 or 24 exposure – black & white film and it was not until much later that I was allowed two rolls of colour slide film. Film was expensive in those days, especially in the hands of a child, who was bound to make a mess of it. I didn’t. Even my very first photograph, a portrait of my older sister, was perfectly viewable.
My professional career, however, started out entirely differently, mainly because my parents believed that photography was not a proper, secure career, like everything else that I wanted to be, an architect, for instance, or a ship’s captain. Things were different then.
After entering the adult world, the one that is all about making money, being secure and conforming, it took me another twenty odd years to throw everything over board and make photography my profession. I think this dramatic change, which was caused by a string of things happening in my life, has made me a better and nicer person.

My first SLR camera, an Exacta RTL 1000 with optional TTL prism viewfinder and Pentacon f/1.8 50mm lens. It was this camera that allowed me to discover my creativity when I was a teenager.
For along time after digital had become the norm I believed that film was the only way to go in photography. I only went digital in 2009. In fact, the experience has renewed my love of photography because you can use the camera almost like a sketchbook – a bit like shooting 35mm at a time when all serious photography was still created on 120 mm. Discreet, easy to carry, fast and informal. In short, unencumbered. Still, I miss the smell of darkroom chemicals. My first SLR camera was an Exacta – heavy, solid and reliable. Since I was seventeen, all my cameras have been Nikons.
I love the act of creating photographs. I can sit for hours in one place, photographing all the little things that I see.
I photograph people. Most of my clients are private clients and nearly half of my clients come to me for intimate portraiture, which is a way of describing lingerie and nude portraits. There is nothing stuffy or artificial about my photo sessions and I do not force people into cheesy, outdated poses. I am very fussy about the level of service that I offer.
I also love photographing just about anything else – landscapes, spaces, little things, nothingness.
Here is some trivia about me, missing any kind of meaningful order:
This blog is a companion to my photography website. It features additional photography, inside information, service announcements and assorted musings and antics. For more information, please visit my website www.wolfkettler.co.uk.